But how astonishing is the truth, that these poems are not the work of years, or months, or even days, but were in fact written in a twenty-four hour period, from midnight to midnight on a single day!
And for Sri Chinmoy this was the latest in a long line of marathon creative sessions: 16,000 paintings in a day; 843 poems in a day. The figures roll easily off the tongue, but to see the reality is something else. It takes the breath away.
The poems in this volume are part of an even longer project which Sri Chinmoy set himself — to write 1,000 poems, each with a rhyming structure. (This is in honour of his brother Mantu who has a preference fo such forms over more freely constructed poems.) Sri Chinmoy set a date, some months ahead, for the achievement of his target. But within a few days, in spike of keeping up with his intensely busy schedule of activities, he had made the time to write some 500 rhyming poems. Then at midnight on Friday 12th August 1977, he started work on the sequence published here. He began writing them out by hand, and covered hundreds of sheets from notebooks. Then as the flow of inspiration increased, he recited the poems directly onto a tape, to be transcribed.
Disciples worked with him, round the clock, typing, editing, proofreading, so that the book could be printed and published the following day! We were able to help with the work, to share in this process of becoming, this amazing flow of creative energy that infused even the most menial job with a meaning and significance. We share in the flow, were part of the whole.
And at midnight on August 13th, 24 hours after starting, the poet pronounced his verdict on his achievement.
“Not bad,” he said.
Not bad!
With a book of poems as large as this, especially where the individual poems are short, the tendency is to skim through, read them greedily and quickly, or simply dip into the book at random, reading here and there. It is part of the beauty of there bing so many that there is something for every taste, and, more important, something for every need. Time and again I have had the same experience, of opening the book of Guru’s poems at random and finding exactly the right words to speak to me at the precise moment. Or in skimming, I am suddenly arrested by a line or a phrase that seems to reasons, to glow, to throw light on all that I have been reading. For in a very real sense, the part contains the whole, and each of these short poems contains in essence, distilled, all of Sri Chinmoy’s wisdom, his philosophy. They are gems of many facets.
And there are many moods here, many modes ot expression, from the playful and humorous to the profound and majestic. they are now wry, now instructive, now with the scriptural quality, the simple dignity and clarity that tells us, “This is the highest Truth.”
Always they are a delight, and the self-imposed stricture of making the poems rhyme simply adds at once to the entertainment and illumining fun; delight on delight for the ear and the eye.
This delight, and the ease of the flow, may even tend to hide the tremendous technical achievement. Over one thousand poems. Six hundred and thirty of them in a day. And all of them rhymed. There is a verbal agility and sureness of touch of a very high order, a limitless inventiveness. Sri Chinmoy uses words with the same dexterity with which he wields a paintbrush or draws a bow across the esraj.
In these poems, the flow is structured, the energy is manifest in a tighter form, takin gon the limitation of rhyme. But the limitation has itself become inspiration, part of the game. The form becomes a vehicle for his endless play.
Those of us who are caught up in that play, in the dance of the worlds he is openting up to us, bow to Sri Chinmoy, in gratitude.
JanakaFrom:Sri Chinmoy,A Soulful Cry Versus a Fruitful Smile, Agni Press, 1977
Sourced from https://srichinmoylibrary.com/sc